Tuesday 12 April 2011

The Joys Of Tobogganing Without Snow

The wicker basket sleighs of Monte are just one example of the unrivalled attractions that Madeira has to offer.
Traditionally, the means of travel in Funchal, Madeira’s capital, did not include wheeled carriages. The uneven cobblestone roads, steep hills and sharp bends, meant that horse drawn carriages and, later, motor cars were regarded as inappropriate. Rather, the locals elected for various other, more exotic, means of transport.
Crude wooden carts, mounted on wooden runners, lubricated with grease and pulled at a placid pace by oxen were a favourite. These “carros de bois” were said to have been introduced to Madeira by a British Army Officer who required a means of transport for his invalid wife.
Whilst riding in the carros de bois was adequate on the flat, it proved to be an extremely slow way to climb the steep hills that dominate the countryside as soon as you desert the narrow coastal plain.
Another, solely Madeiran, means of transport was the travelling hammock. Here, a quantity of cloth resembling a hammock was slung between two long wooden poles. Two men, one at the fore and one to the rear, would lift the contrivance in a mode rather akin to that of a sedan chair. The passenger reclining in the hammock, usually a woman, was thus carried in what must have been a rather uncomfortable fashion.
The travelling hammock was commonly popular with British society women who were resident on the island in the eighteenth century. Often, to the enjoyment of their passenger, the hammock bearers would sing in their native Portuguese tongue as they made their way to the final destination. A gratuity for this extra service was customarily given. What the passenger did not realise was that occasionally the songs were extremely derogative of their customer. It is reported that on one occurrence the bearers of a rather stout passenger were singing to the effect: “The fare we are allowed to charge is fixed, but just look at the extent of this load!”
Monte, being situated high up on the mountainside above Funchal, was no exception when it came to the predominant forms of transport. Cumbersome oxen drawn carts and hammocks were the normal way to convey both people and goods.
Advancement, in more than one sense of the word, was long-drawn-out. The four kilometre passage down from Monte into Funchal would take anything up to three hours.
However, the road from Monte into Funchal was one long, abrupt, downward slope. Accordingly, it was little surprise that one day, some 160 years ago, one of the locals decided to explore a more radical means of conveyance. By mounting a flimsy wicker basket on two ski-like wooden runners it was shown that you could glide headlong down the hill and reach the city centre in a matter of just 10 minutes.
The strategy was simple. All that was needed was one thundering push to get going and someone to stand on the tailpiece to steer. In no time at all, you would soon reach speeds of up to 30 miles per hour.
Suddenly, there was a rapid, and inexpensive, means of transfer from the outlying mountain village into the commercial centre of the island – the snow less, Monte toboggan sled was hence invented.
As a profitable aside, the local inhabitants soon discovered that rich Europeans and Americans would take the journey just for entertainment – hence, the original Madeira tourist attraction was created. Indeed, Ernest Hemingway famously described his Monte toboggan wicker basket sleigh ride as the “most exhilarating experience” of his life.
Today, the traditional sound of wooden ski runners gliding over cobblestones persists, but they are for tourists only. Two carreiros guides, dressed in traditional white with straw hats, will thrust you down a contracted route from Monte.
There are no seat belts and the only brake you can rely on is the rubber sole of your driver’s shoe. The views can be beautiful, if short-lived and the usual souvenir photo awaits you at the end of the ride.
The journey is priced rather expensively by Madeiran standards. But, if you want to treat yourself to an experience that you are not likely to find anywhere else, then give the Monte toboggans a go.

Monday 11 April 2011

How To Be The Best Piano Player Possible

Technique is the ability to execute a zillion different piano passages; therefore it is not dexterity, but an aggregate of many skills.
We must understand our own anatomy and learn how to discover and acquire the correct technique. This turns out to be an nearly impossible task for the average human brain unless you dedicate your entire life to it from childhood. Even then, most will not succeed. The reason is that, without proper instruction, the pianist must discover the correct motions, etc., by trial and error.
The basic keystroke must be learned by every pianist. Without it, nothing else will make a meaningful difference – you can’t build a Taj Mahal out of mud-bricks and straw. The keystroke consists of 3 main components, the downstroke, the hold, and the lift. This might sound like a trivially simple thing to learn, but it is not, and most piano teachers struggle to teach their students the correct keystroke.
Without performance training, even good performers will not perform to their best ability, and the majority of students will end up thinking that piano performance as a kind of hell that is associated with music or piano. Once that attitude is ingrained in youth, they will carry it into adulthood. The truth should be the exact opposite. Performance should be the final goal, the final reward for all the hard work.
The human brain can be quite wasteful. For even the simplest tasks, the untrained brain uses most of the muscles in the body. And if the task is difficult, the brain tends to lock the entire body in a mass of tensed muscles. In order to relax, you must make a conscious effort to shut down all unnecessary muscles. This is not easy because it goes against the natural tendencies of the brain. You need to practice relaxation just as much as moving the fingers to play the keys. Relaxing does not mean to "let go of all muscles"; it means that the unnecessary ones are relaxed even when the necessary ones are working full tilt, which is a coordination skill that requires a lot of practice.
In summary, beginners who have never touched a piano previously will need to develop their stamina gradually because piano practice is strenuous work. Parents must be careful about the practice time of very young beginners and allow them to quit or take a rest when they get tired (about 10-15 min.). Never allow a sick child to practice piano, even easy pieces, because of the risk of aggravating the illness and of brain damage. At any skill levelPsychology Articles, we all have more muscle than we need to play the piano pieces at our level.

Jersey Shore is Madness

Jersey shore is one among the foremost attention-grabbing shows on the earth and also the new season 4 goes to be even additional interesting as a result of it is being shot in Italy. Currently I like Italy and it will probably be a great and wonderful advertisement for the country. However these guys are a few man, I mean I will’t even believe that they will be going all the approach to Italy to shoot this thing.  I bet a heap of the old families sitting in Staten Island and New Jersey are wincing at the thought of those youngsters in Italy.

I marvel what the Italians have to say regarding these guys in Italy? I mean after they are over there and that they get all drunk and faux to be Italian, do the Italians simply think they're funny and hilarious or do they settle for them? Are Yankee in Europe treated rudely across the bat or do they actually care if you are of Italian descent or not?

Al in all, it ought to be very interesting. Jersey shore can be an awesome show in Season 4. I hope the gang gets into a heap more interesting situations. I used to be thinking the other day how cool would it not be if the Jersey Shore Gang should start solving mysteries like in Scooby Doo. Who would Shaggy be? Shaggy would positively have to be the one with the spiky hair.

I mean come back on, it's to be him right? How fascinating would that be? Jersey shore is one of those shows that nobody admits to watching and nevertheless it has the highest ratings amongst any reality TV show these days. If no one is watching it, then why does it have such unbelievable ratings? I would not understand man. Jersey shore is an awesome show. I mean simply admit it already. It will not get any higher than that show and you recognize it.

Most people who are reading this text have watched at least a couple episodes of Jersey shore otherwise you'd not be reading this text at fine? It is one among my favorite showsFree Articles, I will certainly admit it and so should you. Jersey shore rocks! Thus go ahead and founded your TITO or your DVR and go ahead and record the show. You recognize you want to and you recognize you'll be watching season four with baited breath.

Katy Perry leads US singles chart

Katy Perry leads US singles chart


Katy Perry leads US singles chartKaty Perry's "E.T.," featuring Kanye West, spent a second week at No. 1 on the Billboard Hot 100 singles chart on Thursday, bolstered by the premiere of its effects-heavy video a week ago.

Rihanna's "S&M" was also unchanged, at No. 2, while the Black Eyed Peas' "Just Can't Get Enough" rose two to No. 3. Cee Lo Green's "F**k You (Forget You)" at No. 4 and Lady Gaga's "Born This Way" at No. 5 each slipped one place.

Chris Brown's "Look at Me Now," featuring Lil Wayne and Busta Rhymes, rose one to No. 6; Jeremih's "Down on Me," featuring 50 Cent, jumped two to No. 7; Jennifer Lopez's "On the Floor," featuring Pitbull, was also up two, to No. 8; and Pink's "F**kin' Perfect" dropped one to No. 9.

British singer/songwriter Adele claimed her first top-10 hit in the United States as "Rolling in the Deep" soared seven places. The track comes from her hit album "21," which recently ruled the Billboard 200 chart for three weeks, and is expected to reclaim its crown when data are released next Wednesday. (Reuters)


'Hop' keeps top spot as Brand pulls double duty

'Hop' keeps top spot as Brand pulls double duty


 LOS ANGELES: British bad boy Russell Brand dominated the North American box office, with a starring turn in the top-earning "Hop," as well as in the remake of the 1980's classic "Arthur," the number two weekend film, industry estimates showed Sunday.

"Hop," a partially animated Easter-themed romp, remained atop the box office for a second consecutive week, with a weekend gross of $21.7 million, bringing its two-week total to $68 million. Brand voices the character "E.B." in the film, the wayward son of the Easter Bunny.

In "Arthur," which debuted in second place with $12.6 million, he plays the lovable but irresponsible billionaire Arthur Bach in a role originated by Dudley Moore in the 1981 hit.

"Hanna," a thriller about a teenage assassin, pulled in an estimated $12.3 million for third place in its debut, according to box office tracker Exhibitor Relations. Saoirse Ronan stars as the 16-year-old girl raised by her widowed father (Eric Bana) in the wilds of North Finland.

In fourth place was "Soul Surfer," starring AnnaSophia Robb as a churchgoing teenage surfer who returns to the ocean after losing an arm in a shark attack. It's based on the true story of Bethany Hamilton. It earned $11.1 million.

Horror flick "Insidious," in which a family finds itself living in a haunted house, picked up $9.7 million in fifth place.

"Your Highness" debuted in sixth place, earning $9.5 million. The comedy stars Danny McBride, who was the munitions expert in "Tropic Thunder" (2008), and James Franco as as princes on a mission to save their land. It was directed by David Gordon Green ("Pineapple Express").

Jake Gyllenhaal's sci-fi thriller "Source Code" fell five spots to number seven, with $9 million in its second week. Gyllenhaal's character is part of a government experiment to find the bomber of a Chicago commuter train.

"Limitless," in which Bradley Cooper plays an author who samples a revolutionary new drug, was eighth with $5.7 million.

Rounding out the top 10 were "Diary of a Wimpy Kid: Rodrick Rules," with $4.9 million, followed by Matthew McConaughey' drama "The Lincoln Lawyer," which grossed $4.6 million.


Katrina replaces Priyanka in Dostana sequel

 Katrina replaces Priyanka in Dostana sequel

Katrina replaces Priyanka in Dostana sequel MUMBAI: Bollywood actress Priyanka Chopra might have won millions of hearts in ‘Dostana’, but she got the shock when she was kicked out of its much awaited sequel ‘Dostana 2’.

Tarun Mansukhani’s ‘Dostana 2’, which stars Abhishek Bachchan, John Abraham and Katrina Kaif does not include Priyanka Chopra – the original heroine of ‘Dostana’.

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